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projects:cinematographer:say_it_s_true_everyone_will_believe_you

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projects:cinematographer:say_it_s_true_everyone_will_believe_you [2026/05/08 15:30] lmailholprojects:cinematographer:say_it_s_true_everyone_will_believe_you [2026/05/08 15:30] (current) lmailhol
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   * The travelling shot of the trailer. My whole idea fell apart because of reflections I couldn't fight with my polarizing filter (cause the window was, in fact, made of plastic). As a result, we took some time to install a useless set of tracks. Even if, just before committing to the installation, I had second thoughts —contrary to my initial idea— about the dolly movement in terms of staging.   * The travelling shot of the trailer. My whole idea fell apart because of reflections I couldn't fight with my polarizing filter (cause the window was, in fact, made of plastic). As a result, we took some time to install a useless set of tracks. Even if, just before committing to the installation, I had second thoughts —contrary to my initial idea— about the dolly movement in terms of staging.
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-{{:projects:cinematographer:p0131618.jpg?400 |}} 
  
   * The frame of Hugo. I wanted to use only one daylight direction from the celling and shape it with smoke... But our smoke machine wasn't working. As the top window doesn't appears on the shot, my light seems a tad fake. I should have played the windows behind the character.   * The frame of Hugo. I wanted to use only one daylight direction from the celling and shape it with smoke... But our smoke machine wasn't working. As the top window doesn't appears on the shot, my light seems a tad fake. I should have played the windows behind the character.
projects/cinematographer/say_it_s_true_everyone_will_believe_you.txt · Last modified: by lmailhol